‘Left-Handed Girl’ Review: Sean Baker Collaborator Shih-Ching Tsou’s Solo Debut Pulses Like Taipei After Dark

The first glimpse of Taipei in director Shih-Ching Tsou’s debut solo outing is a blur of light and skyscraper seen through a toy prism, an almost-too-perfect cue for the structure of the movie to come. Characters and situations will fragment and recombine in ever-changing symmetries, the axis of sympathy and resentment flipping and flipping again […]

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