‘The Secret Agent’ Review: Wagner Moura Is Marked for Death in Kleber Mendonça Filho’s Terrific ’70s Thriller

Carnaval provides a convenient cover story for nearly 100 deaths and disappearances in “The Secret Agent,” Kleber Mendonça Filho’s robust sense-memory immersion into the sights, sounds and suffocating climate — both political and meteorological — the Brazilian director associates with 1977 Recife. It was a period of great “mischief,” per the thriller’s opening titles, although […]

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