At Cannes, Politics, Penny-Pinching and Strict Red Carpet Rules Overshadow the Glitz, Good Times and Glamour

For a moment, it felt like the old Cannes again.  On Sunday night, as the festival crawled toward its midpoint, news broke that Mubi, the upstart distributor that rode “The Substance”’s Oscar success to a $1 billion valuation, was shelling out $24 million for “Die My Love.” The film was one of Cannes’ most polarizing, […]

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