‘Colours of Time’ Review: Cédric Klapisch’s Genial, Dual-Timeline Crowdpleaser About Art and Ancestry
It’s a pity that the English title of Cédric Klapisch’s pretty, lighthearted then-and-now drama does not have the same number of entendres as the French version. Not only does “La venue de l’avenir” (literally “the coming of the future”) trip more merrily off the tongue, it also has resonances lost in the comparatively one-note “Colours […]
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